Frank Lavallo hosts two readers and the three of them summarize the world’s greatest works of classic literature, giving their reactions along the way. If SparkNotes had an audio best friend, it would be us!
Plot: In William Faulkner's "The Bear," a young boy named Ike McCaslin undergoes a rite of passage in the Mississippi wilderness. The story explores themes of nature, heritage, and the loss of innocence as Ike encounters a formidable bear, symbolizing the struggle between civilization and the untamed natural world.
Special thanks to our readers, Katie Porcile and Phil Setnik, our
Producer Noah Foutz, our Engineer & Sound Designer Gray Sienna
Longfellow, and our executive producers Brigid Coyne and Joan Andrews.
Here's to hoping you find yourself in a novel conversation!
00:09 Frank: Hello, and welcome to Novel Conversations, a podcast
about the world's greatest stories. I'm your host, Frank Lavallo. And
for each episode of Novel Conversations, I talk to two readers about one
book. And together, we summarize the story for you. We introduce you to
the characters, we tell you what happens to them, and we read from the
book along the way. So if you love hearing a good story, you're in the
right place. This episode's conversation is about the novelette, The
Bear, by William Faulkner. And I'm joined by our Novel Conversations
readers, Katie Porcile and Phil Setnik. Katie, Phil, welcome. Glad to have you both here for this
conversation. Now, before we get started, let me give a quick
introduction to our story. The Bear is a work of short fiction, very
short fiction, by William Faulkner. Its genesis is typical of Faulkner's
writing and publishing career. He always used his material to the
greatest degree. First, it was a short story titled Lion, and appeared
in 1934. It was enlarged in 1941 and 1942 as The Bear, and he then
included it in Go Down Moses, a collection of related short stories
which is sometimes considered a novel, and that was published later that
year. The Bear is the longest story in the collection. As historical
fiction set in an imagined Mississippi county, The Bear traces a young
man's development in the context of an annual hunting trip. The later
collected stories will see that young man, Isaac McCaslin, grow and
develop as he attempts to reckon with his family's fraught history of
environmental, racial, and other abuses. So readers, our story, The
Bear, is the centerpiece of Go Down Moses, just as Isaac McCaslin is the
book's central character. But Katie, before we get into this work, what
did you think about the style of the story? For lack of a better term, I
thought of it as impressionistic. Impressions, images that we get from a
very young boy.
02:01 Katie: Yeah, I think impressionistic is a good word for it. There
are lots of descriptions and time passing somewhat fast as we just kind
of glance over it. So we almost just pass right through without getting
the full picture. but through the digressions and previous events are
related. At 10, Isaac had gone on his first hunt with the men. At 11, he
had seen the bear for the first time. At 13, he killed his first deer
and underwent the traditional initiation when Sam marked his face with
the blood.
02:33 Frank: Phil, did you have any thoughts about the style or the way this story was written?
02:37 Phil: It's very interesting to see how he does develop in a
lot of ways throughout the story. But we have to remember that he's
still only going from the age of 10 to the age of 14. So even though he
has developed in kind of a psychological realism in the book, the
impressions that he gives are those of a young boy still who has been
forced into this mold of becoming a woodsman. It demonstrates to the
readers not only what Isaac does, but why he does so to the extent that
he can formulate in his own mind.
03:05 Frank: With those brief remarks, let's talk about our story.
Tell me a little bit about the young Isaac we meet in The Bear.
03:10 Katie: In the fall of 1877, the recently 10-year-old Isaac
McCaslin finally gets to go hunting with the men. He joins his father,
uncles, and cousins on the annual hunting trip hosted by his father's
friend, Major Despain, in a wooded area known as the Big Bottom.
03:28 Phil: Until he was 10, each November he would watch the wagons
containing the dogs and the bedding and the guns and the food, and his
father and uncles and cousins depart on the road to town, to Jefferson.
03:39 Katie: For Isaac, as a boy of 7, 8, and 9, they were not going
into Big Bottom to hunt a bear or deer, but to keep a yearly rendezvous
with the bear, which they did not even intend to kill.
03:51 Frank: We'll get to the bear, which they did not even intend
to kill soon, but there are others on these yearly trips, others that
are not part of the family.
03:59 Phil: That's correct. You have Sam Fathers, Major Despain,
General Compson, and Boone Hagenbeck. And who is Sam Fathers? He's the
son of Ike Motube, a Choctaw chief and a slave girl. Ike Motube sold Sam
and his mother into slavery when Sam was very young. Now an elderly but
expert woodsman and hunter, Sam teaches Isaac the ways of the forest.
04:19 Katie: From Sam, Isaac learns to navigate and hunt in the wilderness. Sam also demonstrates a reverence for nature.
04:26 Phil: Though the central action of the bearer takes place in
the late 1800s, through Sam, Faulkner addresses issues that would have
been relevant at the time of the story's publication in 1942. For
Faulkner, the question of environmental conservation in the face of
ever-expanding industry was growing more urgent with each passing year.
04:45 Frank: But Sam doesn't only teach young Isaac how to hunt. He teaches him about what to hunt.
04:50 Phil: Isaac learns about Old Ben, the eponymous bear of our
story. Old Ben is a ferocious, gigantic beast, a powerful, seemingly
immortal bear with a maimed foot, known for terrorizing local farmers
and hunters. But mostly, he's learning how to track and hunt Old Ben.
He's known about the bear as long as he has known about the hunt.
05:09 Katie: As the story states, quote, He seemed to see it entire
with a child's complete divination before he ever laid eyes on either.
The doomed wilderness whose edges were being constantly and punily
gnawed at by men with axes and plows, who feared it because it was
wilderness. Men myriad and nameless, even to one another in the land
where the old bear had earned a name, through which ran not even a
mortal animal but an anachronism, indomitable and invincible. out of an
old dead time, a phantom, epitome and apotheosis of the old wildlife at
which the puny humans swarmed and hacked in a fury of abhorrence and
fear, like pygmies about the ankles of a drowsing elephant, the old bear
solitary, indomitable, and alone, widowered, childless, and absolved of
mortality, old Priam, raft of his old wife and having outlived all his
sons.
06:36 Frank: Katie, I agree with what you said about those
paragraphs. It shows Faulkner's ability to write some great lines using
some fantastic wording. I really appreciate you reading that quote for
us. Now, Sam Fathers serves as a father figure to him as Isaac discovers
the beauties and dangers of the forest. Isaac's quest to find old Ben
requires him to gradually abandon the trappings of civilization, such as
his gun and compass, which symbolizes and parallels his abandonment of
his ideological baggage as well.
07:07 Katie: Sam explains that they will only be able to kill old Ben once they find the right dog to corner and fight him.
07:14 Frank: And Phil, what about some of the other characters you mentioned?
07:17 Phil: We have Major Despain, who is the proprietor of the old
Sutpen plantation, and he also owns the hunting camp at Big Bottom.
07:24 Katie: There's old General Compson, the old Civil War general,
and Jefferson, aristocrat, who goes on the hunting expedition. Also,
the ancestor of important characters in other Faulkner novels,
particularly Absalom Absalom and The Sound and the Fury.
07:40 Phil: Also, Boone Hagenbeck, the ugly, alcoholic hunter who is
fiercely loyal to Major Despain. In the later stories, it is Boone and
his dog, Lion, that eventually kill Old Ben.
07:51 Frank: All right, readers, with that start, let's take a break
here. And when we come back, we'll learn more from Isaac about his
first hunting trip and more about Old Ben. You're listening to Novel
Conversations. We'll be right back. Welcome back. You're listening to
Novel Conversations. I'm Frank Lavallo, and today I'm having a
conversation about the novelette, The Bear, by William Faulkner. And I'm
joined by our Novel Conversations readers, Katie Porcile and Philip
Setnik. So as our story continues, Isaac tells us, or at least gives us
images of that first trip. He's been dreaming of this day, this trip,
and the bear since he can remember.
08:37 Katie: As is customary, the party devotes one day of their
trip to hunting Old Ben. After the hunters spread out and take their
places, Old Ben passes near Isaac. Isaac senses Old Ben watching him,
but doesn't see the bear. At that moment, Isaac realizes he will never
shoot Old Ben.
08:56 Phil: Isaac tells us he doesn't see the bear, but he, quote,
hears the dogs. When the dogs sense the bear is near, they bark and bay.
09:02 Katie: Isaac describes it as a, quote, murmur, sourceless,
echoing through the wet woods, swelling presently into separate voices,
which he could recognize and call by name.
09:13 Phil: Old Ben, the legendary bear, is a symbol of the power
and inscrutability of nature. He is nearly immortal, nearly
invulnerable, capable of overpowering virtually anything, and capable of
wreaking havoc on human settlements and establishments.
09:26 Katie: Once Isaac realizes he would probably never choose to
shoot old Ben, he concentrates on improving his tracking skills so he
can continue to get occasional glimpses of the bear.
09:37 Frank: These scenes where Isaac realizes he's never going to
actually take a shot at this bear are one of Faulkner's most intense,
focused, and symbolic explorations of the relationship between man and
nature and how it's constantly changing and evolving.
09:52 Katie: The following June, Isaac returns to Major Despain's
camp. While Major Despain and General Compson celebrate birthdays and
their friends relax, Isaac looks for Old Ben, though the others think he
is hunting squirrels. Sam figures out what Isaac is doing and tells him
Old Ben won't let Isaac see him as long as he carries a gun.
10:12 Phil: The next day, Isaac leaves behind his gun and travels
farther into the wilderness than ever before, realizing that he is,
quote, still tainted. He then abandons his watch and compass. Now lost
in the woods, Isaac finds old Ben's tracks and momentarily glimpses the
bear, who looks back at him, then vanishes. Over time, Isaac sees old
Ben several times.
10:33 Frank: And actually, Isaac describes one of those sightings.
I'm going to quote from the book. Then he saw the bear. It did not
emerge or appear. It was just there, immobile, solid, fixed in the hot
dappling of the green and windless noon. Not as big as he had dreamed
it, but as big as he had expected it. Bigger, dimensionless, against the
dappled obscurity looking at him, where he sat quietly on the log and
looked back at it. Then it moved. It made no sound. It did not hurry. It
crossed the glade, walking for an instant into the full glare of the
sun. When it reached the other side, it stopped again and looked back at
him across one shoulder while his quiet breathing inhaled and exhaled
three times. Then it was gone. It faded, sank back into the wilderness
as he had watched a fish, a huge old bass, sink and vanish into the dark
depths of the good pool without any movement of its fins. Again, just
that great, the great writing of Faulkner.
11:33 Katie: It's a great example.
11:33 Frank: Very, very evocative. All right. Well, let's take
another quick break here. And when we come back, we'll continue our
conversation. You're listening to Novel Conversations. I'm Frank
Lavallo. We'll be right back. Welcome back to Novel Conversations. I'm
your host, Frank Lavallo, and today I'm having a conversation about The
Bear by William Faulkner. And I'm joined by our Novel Conversations
readers, Katie Porcile and Phil Setnik. Katie, we continue to learn
about Isaac as he gets a little older and he becomes a very accomplished
hunter and woodsman.
12:12 Katie: By this time, Isaac is 13 and he develops into an
expert woodsman and a proven hunter. He kills his first deer and
undergoes the traditional initiation when Sam marks his face with the
blood. By his 14th year, he was a better woodsman than most grown men.
There was no territory within 30 miles of the camp that he did not know.
Bayou, ridge, break, landmark tree, and path.
12:37 Phil: There's a good quote in the book.
12:56 Katie: The quote continues, he could find the crooked print
now almost whenever he liked, 15 or 10 or even 5 miles, or sometimes
even closer to the camp than that, but not the bear himself.
13:09 Frank: But Phil, then he sees the bear.
13:12 Phil: One day, he and Sam track and ambush Old Ben with a
small, foolishly brave dog. A tiny feis, a dog with no sense of danger.
Isaac even has a shot at the huge bear. But when Old Ben turns on the
dog, Isaac runs forward to save the dog. He looks up at Old Ben looming
over him and remembers the image from his dreams about the bear. After
the bear leaves, Sam asks Isaac why he didn't shoot. Isaac asks Sam the
same question.
13:37 Frank: And his father asks them both the same question. His
father then reads Isaac a few lines from Ode to a Grecian Urn by John
Keats. She cannot fade, though thou hast not thy bliss. Forever wilt
thou love, and she be fair.
13:52 Katie: Isaac says, he's just talking about some girl. And the
father responds by saying, Keats is talking about truth. He says, truth
doesn't change. Truth is one thing. It covers all things which touch the
heart, honor and pride and pity and justice and courage and love.
14:13 Phil: But for Isaac, it was simple, simpler than somebody
talking in a book about youth and a girl. He sums it up for himself,
quote, he had heard about a bear and finally got big enough to trail it.
And he trailed it for four years and at last met it with a gun in his
hands and he didn't shoot.
14:27 Frank: And really, readers, with those thoughts, our short
novel, or novelette as I've called it, ends. It's to be continued in
subsequent stories collected in Go Down Moses. All really good insights
Katie, Phil. Now let's take our final break and then head into our last
segment where I'd like to ask the two of you to share a moment or a
character or another quote that we haven't had a chance to talk about
yet. You're listening to Novel Conversations. We'll be right back.
Welcome back. You're listening to Novel Conversations. I'm Frank
Lavallo, and today I'm having a conversation about The Bear by William
Faulkner. Katie, Phil, before our break we ended our story, and now I'd
like to ask the two of you to share a moment or a character, or as I
said, another quote that we haven't really had a chance to talk about.
Katie, do you have something for us?
15:22 Katie: Well first I wanted to mention what I was reading about
there at the end where the dad talks about truth and truth doesn't
change and truth is honor and pride and pity and justice and courage and
love. The way that he's discussing what it meant to see the bear with
his father at the end was just the best part of the story to me. How the
father related the experience of seeing the bear with all of the
accolades that a young boy, this growing boy coming of age, should be
paying attention to and learning what he has inside of himself. And even
as we're in the thought process of Isaac, he comes to this same idea
and he says, There is a boy who wished to learn humility and pride in
order to become skillful and worthy in the woods. And he goes on and he
realizes that he had to learn humility from the dog and pride from the
bear. It's just beautiful.
16:20 Frank: As you finish the reading here, did you get the feeling
that the father reconciles himself to the fact that his son did not
take that shot? Oh, absolutely. Yeah. The father was supportive.
16:32 Katie: I think so. I think it goes back to that man versus
nature and how they commune together. The father has never shot the bear
either.
16:39 Frank: That's right. Remember, we mentioned it earlier on that
this first day of the hunts was traditionally the day they went out to
not shoot the bear.
16:48 Katie: Right, exactly.
16:49 Phil: Phil, did you have something you wanted to share with
us? Just based on that point you just made, it's very interesting
because at the beginning they talk about how this bear is seemingly
invincible, that it has been shot many times, and others have tried to
take it down. But these men have already realized that that's futility,
and that the bear is greater than any one of them, and is a symbol of
the nature that's around them, and is a force of nature himself. And I
was going to use one of the similar quotes that you were talking about,
about his struggle to reconcile all these different emotions that he's
feeling and what he's supposed to be feeling. The pride versus the
humility that he is growing so much as a skilled woodsman that he has
trouble feeling humility and he's worried that he's gonna become too
prideful and that he has to learn the humility from the dog who is about
six pounds and can't get any closer to the ground to be any more humble
and can only be brave. That's all that's left at the end is to be
brave.
17:39 Frank: Great thoughts, great thoughts. Katie, do you have another one for us?
17:42 Katie: I do. I just really like the moment when Sam is giving
Isaac, when he tells him that the reason he can't find the bear is
because he's carrying the gun. But then Sam goes on to tell him to be
scared. You can't help that. Don't be afraid, but you have to be scared
when you're walking through the woods. I just love that dichotomy.
18:03 Frank: He really does learn a lot from both his father and
from Sam fathers. I have a couple of thoughts to me, even though it's
really just Isaac going from 10 to 14, I think of this as a coming of
age story. We are getting to see a young boy, I mean, 10 years old,
think about 10 years old going out and hunting for the first time, but
he's growing up and he's learning. As we've said, he's learning from his
father. He's learning from Sam fathers. He's learning from some of the
other men on the hunt. He's learning from old Ben. He even learns from
the dog. So I enjoyed, even though it was a short arc, I enjoyed
watching Isaac grow within this short story. And then the last thing I
just wanted to say to our listeners out there, reading this short story,
The Bear, and knowing that there are other short stories that continue
the story of Isaac and his family, I now want to go ahead and read some
of those other short stories. I was not fully aware that Go Down Moses
was a collection of these short stories, all related and a continuing
story about Isaac and his family. And just from this bear, just from
these short 40 pages, I absolutely want to continue and learn more about
the family, the eventual death of the bear, and the way Isaac
reconciles himself with the forces of nature.
19:18 Katie: Yeah, I would add to that only by saying and
encouraging the listeners to read this story themselves. It's so short.
It's 30 minutes to get through it. And then Go Down Moses is just as
approachable as this one.
19:33 Frank: You talked to us about that early on, that you feel this is one of Faulkner's most approachable stories.
19:38 Katie: I do. He can be really intimidating and he can be
really complex. And I think in Go Down Moses, it's broken down enough
that anybody can read it and understand it and learn to love it.
19:49 Frank: All right, great. So let's end our conversation today.
Phil and Katie, I want to thank both of you for coming in and having
this conversation with me. I hope you enjoyed it as much as I did. Very
much. Thank you, Frank. Of course, Frank. You've been listening to Novel
Conversations. I'm your host, Frank Lavallo. I hope you soon find
yourself in a novel conversation. Thanks for listening to Novel
Conversations. If you're enjoying the show, please give us a five star
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Novel Conversations. Follow us to stay up to date on upcoming episodes
and in anything else we've got in the works. I want to give special
thanks to our readers today, Katie Porcile and Phil Setnik. Our sound
designer and producer is Noah Foutz, and Grace Sienna Longfellow is our
audio engineer. Our executive producers are Brigid Coyne and Joan
Andrews. I'm Frank Lavallo. Thank you for listening. I hope you soon
find yourself in a novel conversation all your own.